This is normal, because the notes are positioned differently in the minor pentatonic scale then in the major pentatonic scale. Stuart Bulls Advanced Blues in 6 Weeks guitar lesson course Week 2: includes ideas that are a step away from traditional blues. In the chord diagrams below you see both the minor and major pentatonic scale in the key of A. These are stellar blues licks that you can transform into your very own. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. That’s why I call them “killer licks”. Bad Boy Blues. They are also great starting points for creating your own licks. When you start playing solos and thinking of the architecture of a solo, how to build up and release tension and all these things, you need a basic set of Blues licks to start with. Its definately a 'follow on'book and will suit the intermediate player ..beginners should start with the 1st book mentioned above You can't fail to progress if you follow this book. Start to experiment with these approaches in your own guitar playing. Blues in G-Dur. Still most experienced guitarists will choose to either: In a solo you can use all these licks as a base, combining them and using additional notes. The first one (advanced), is a fast blues-rock track at 145 BPM. Using more advanced guitar scales such as the dominant pentatonic scale and the mixolydian mode to give your soloing a jazzy feel (don’t worry, it’s not as hard as it sounds). Smoky Bar Blues. Here it is important to realize that we can only go for this approach when soloing over a ‘major blues’ (which means we are playing over a blues progression in a major key with dominant 7th-chords, such as A7, D7 and E7). Eine Übung für einen Smoky Bar Blues. Alternating between the major and minor pentatonic scale, but only using one of these two scales on certain chords. These licks work great almost anywhere, so I really wanted you to see that. Track your progress by marking which guitar licks are your favouries. Part of the series: Blues Piano Licks. Blues Piano Advanced Lick Five. Eine Übung für ein Blues Solo. That’s why I call them “killer licks”. In fact, the C note that is contained in the pentatonic scale will sound pretty harsh against the C# note that is found in the A7 chord. One advanced and one intermediate. BLUES LICKS. You will get 6 videos – introduction, 2 performances, 2 slow motion, and the breakdown. Special Deal – Order Stout Blues and get the 6 Killer Licks included. Below you can check out one of the 6 licks. A-mazing! Try to experiment with this way of linking together both scales. Chordal licks - These licks are based on blues chord shapes and can be added to both solos and rhythm guitar parts. See the lick at 2:30 Key of E. This is a great blues lick that tons of players use. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. All of the licks that we’ll look at here will be presented in the context of an A major blues. Now try this: play a solo over a blues in A backing track en switch back and forth between these two scales. This is also the reason why experienced guitarists don’t only rely on this minor pentatonic scale when their soloing in a blues context. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners A wide range of scales are used including the minor pentatonic, the blues scale, the major pentatonic and the dorian and mixolydian modes. There are many more possibilities that you can learn to expand your options when soloing in the blues: You can learn all of these approaches with advanced blues licks to practice in the free Blues Guitar Solo Guide On How To Play More Advanced Guitar Solos. Let’s look at how professional blues guitarists make use of the minor pentatonic scale to create advanced licks they use in their soloing. 6 licks may not sound like a lot, but you see, I’m playing these licks over 2 completely different tracks. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. Still most experienced guitarists will choose to either: Not use the minor pentatonic scale at all (that’s the main reason why many beginners on blues guitar improvisation hear that what they play doesn’t sound anything like the licks and solo of their favourite players, but they don’t know that they actually are using different scales). Many highly advanced blues guitarists make use of not one single scale, ... used to playing the minor pentatonic scale and try to ‘copy’ your licks, phrases and runs to the major pentatonic scale you’ll find that this doesn’t work well. For example, the notes in the A minor pentatonic scale are; A, C, D, E and G. Compare this to the A, C#, E and G note and you will find that the C note from the minor pentatonic scale is not present in the chord. Having the option to use more advanced scales leads to greater melodic freedom and is a great thing to have in general. They will sound "killer" at Friday's night rehearsal with the rest of the band. ︎ http://www.masterguitaracademy.com/killerlicks Killer Blues Licks! In some ways, you are getting 2 lessons in one. Diese Licks sind für Anfänger und Fortgeschrittene geeignet. If you order the modern blues soloing course Stout Blues, you will get this course included! Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. You discovered how to improvise on guitar and before you knew it you were playing your own blues guitar licks. As much fun as learning to improvise on guitar in this way is, it’s important that you don’t get stuck in this phase where you are only using the minor pentatonic scale in your soloing. Because we add this note (that originates from the A major pentatonic scale) to the minor pentatonic scale we create a slightly more major pentatonic sound, while still playing in the minor pentatonic scale. Every lick is available in all 12 keys. Still most experienced guitarists will choose to either: It’s important that you understand that it’s perfectly legitimate to use the minor pentatonic scale to play over dominant blues chords. By using this app you'll never run out ideas when improvising again! Learning blues guitar licks like the one above and applying them when you're improvising over backing tracks will make your soloing more advanced. There are so many other scales that can be used in blues guitar soloing that it would be a pitty to only make use of the same scale all of the time. They are great if you want to further develop your skills or if you want to fill up a 12-bar with nice licks great for anything you can think of. Jeder Gitarrist begegnet früher oder später dem Blues. That’s why we’re going to look at some transitions in which you can combine these two scales. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. The change from the minor pentatonic to the major pentatonic scale (and vice versa) will often sound to ‘abrupt’. These licks are great in several ways; you really get to know that pentatonic box, since all licks start at the same place. You will notice that even though this sometimes will result in a nice sound, sometimes it will be challenging to create a fluent change between both scales. Robben Ford style ideas using altered, chromatic and lydian b7 scales are looked at and many exciting licks are drawn from these scales. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. Yet this approach is only one of the many possible ways we can use and if overused it may appear to the listener that you play the same solo in every song. The first one (advanced), is a fast blues … Also work the other way around; start with the minor pentatonic scale and try to shift to the major pentatonic scale fluently. Many intermediate guitarists get stuck playing only the minor pentatonic scale over blues chords. Simply start playing a lick in the major pentatonic scale and try to make the transition to the minor pentatonic scale as smooth as possible. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. Advanced V-IV-I licks. Track your progress by marking which guitar licks are your favouries. In this advanced intermediate lesson we'll be looking at a really juicy lick using some draw bends again and some cool rhythmic and textural features. In any form of music, some melodic ideas sound more at a home than others. Every lick is available in all 12 keys. You can try this out for yourself; play these two notes simultaneously on guitar and notice the dissonance between these two notes. I am having so much fun. By helping UG you make the world better... and earn IQ Suggest correction A lick contains a few notes which belong together like words in a sentence and have special meaning or express a certain feeling. Advanced intermediate V-IV-I blues licks. Um für diese Situation gerüstet zu sein, präsentieren wir euch heute einige typische und einfache Blues-Licks, die sich hervorragend in viele Situationen einbringen lassen. I love these licks. An A minor backing track using some "jazz" chord changes is used to demonstrate the use of jazz licks within the blues. Why The Minor Pentatonic Scale Is Not The Best Option To Use. I have also provided Tablature for the licks for both performances, and also the chord progression for the slow blues. Blues Licks in A Major. Advanced guitarists don’t use one single scale to play blues solos, but use a combination of many different scales, which makes their sound more advanced and highly personal. Let’s examine exactly why this minor pentatonic might not be the best option. The other (intermediate), is a slow blues at 65 BPM. Every lick is available in all 12 keys. One of the options that we can use to add more variation in our blues guitar soloing is to alternate between the minor pentatonic scale and the parallel major pentatonic scale. Decent sound samples of each lick with a BT to play along as well. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. Every lick is available in all 12 keys. An A minor backing track using some "jazz" chord changes is used to demonstrate the use of jazz licks within the blues. Eine Übung für ein Bad Boy Blues Riff. Robert you have managed to capture my attention once again. It’s a fact that some of the notes in this scale will ‘clash’ quite a bit with the dominant seventh chord it’s being played over. They are practical and I use them a lot in my playing. If you're a blues/rock player this lesson is a must have. Blues Scale. For the gear, I used a Suhr Pro C1 guitar, a D’Angelico EX-SS, a Suhr Badger 18 and the 12 St. Special from KOAmps.com, Thank you very much for your lessons!Keep rocking and stay safe, Robert, again it's been fascinating learning from you. In this article we are going to look at some of these so you can expand your options when you are playing blues solos. Kind regards Michael. Use a variety of techniques to alter the C note (if we play the Am pentatonic scale) so this note becomes a ‘passing note’ instead of a ‘target note’. Beginner Blues. Creating A Fluent Transition Between The Major And Minor Pentatonic Scale. Whether you’re listening to Robert Johnson, … 96 licks that will sound great the next time you are jamming on stage or with friends. Stuart Bulls Advanced Blues in 6 Weeks guitar lesson course Week 2: includes ideas that are a step away from traditional blues. In some ways, you are getting 2 lessons in one. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. You will notice that this way of playing will prove a radical shift in your sound and will spark your creativity. You can learn all of these approaches with advanced blues licks to practice in the free. Alternating Between The Major And Minor Pentatonic Scale. This Version is just to help everyone with a couple licks they can use that sound great. Using the minor pentatonic scale to improvise over blues chords is the approach that almost every beginner blues guitar student learns. Blues Solo. Verschiedene Blues Übungen in A Major. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. Learn how to become a master blues guitarist through my, Why Your Blues Guitar Soloing Doesn't Sound Anything Like The Solos Of The Best Blues Guitarists. Die besten Blues Licks 1 . Every lick is available in all 12 keys. 96 licks that will sound great the next time you are jamming on stage or with friends. Mp3 files for performances and backing tracks are also included. However, his instruction on how the phrases are constructed, opens up a whole new library of licks that you can create and add to your own vocabulary.All 6 licks are built off the same first three notes which are a typical blues staple phrase all blues players are familiar with and all in the familiar shape we know and love....the pentatonic. If we would play over a ‘minor blues’-progression (with for instance the chords Am7, Dm7 and Em7) we can’t use this option. Use the minor pentatonic scale but alter some of the notes. Eine Übung für ein Beginner Blues Riff. 12 Bar Blues Solo (Intermediate/Advanced), Scales You Can Use When You Play The Blues. Fast licks - Speedy, technical runs that can excitement to any blues solo. But did you know that the minor pentatonic scale isn’t the best choice to play over a blues chord progression? Here is a fun lesson for you who want to learn killer blues licks. Highly recommended to help grow your lick library. It’s true that the minor pentatonic is the first scale that you’ll learn in blues improvising, but this doesn’t mean that we have to stay stuck only using this scale. You can change the timing and the key to customize these licks to virtually anything. Robert has come through again with a simple, yet very effective approach to utilizing 6 really cool licks in a variety of tempos and feels.In this lesson he addresses only two feels, a rock blues and a slow blues approach. So. 6 licks may not sound like a lot, but you see I’m playing these licks over 2 completely different tracks. In the example below we start of in the major pentatonic scale and then transition to the A minor pentatonic scale. Article written by Leigh Fuge that focuses on some advanced, bluesy lead guitar licks based in minor pentatonic scale shapes. The other (intermediate), is a slow blues at 65 BPM. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. This will result in a melodically more advanced sound. The licks are laid out in different Blues styles ie Slow Blues , Jump Blues etc. In the final V-IV-I lesson of this series, we'll be trying a really tricky lick for advanced players. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Remember when you first learned the minor pentatonic scale. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. Using half-step bends to shift from the minor pentatonic scale to the major pentatonic scale. One advanced and one intermediate. These licks work great almost anywhere, so I really wanted you to see that. So let’s look at how you can become more creative with different scales and licks to radically improve your overall blues guitar soloing. Let’s look at how professional blues guitarists make use of the minor pentatonic scale to create advanced licks they use in their soloing. There are loads of notes in this one so it takes some practice. Take note of the use of the C#-note in the second measure of this lick. I have already a lot of your courses and I love to see them others you've got on You Tube. If you are an intermediate player who want to get better at playing great sounding licks over rock or blues, this one is for you. The 3 notes in the beginning are the same for all the licks, and I’m carefully explaining how you should pick and dampen these notes, so that they ring clear and sound just right. This time, I’ve created a fun lesson for you who want to learn killer blues licks. The first one (advanced), is a fast blues-rock track at 145 BPM. I have also provided Tablature for the licks for both performances, and also the chord progression for the slow blues. If you improvise using a 12 bar blues progression there are plenty of other options that you can choose from. In der … So these scales can be used interchangeably if we play over a ‘Blues in A’ (the term ‘Blues in A’ is used when we are playing a Major Blues in the key of A, when we would play a Minor Blues we speak of a ‘Minor Blues in A’). Enjoy! Thanks, the very best for you. Verschiedene Blues Scales. One of the most important things that music theory will teach you is to spell out the notes in a scale and compare it to the underlying chord. Thanks for the motivation! Blues Lick 1 ist ein klassischer Penatonik/Blueslauf in der V. Lage, im Stile von Mark Knopfler. How Professional Blues Guitarists Use The Minor Pentatonic Scale. 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